Veranstaltungskalender
Veranstaltungskalender
Zürich (CH), 28.09.-29.09.2012
Before Publication: Montage between Privacy and Publicity
At the moment of their going to press, publications irreversibly reach their definite form. At the same time, they also reach an audience. What is frequently forgotten in this process is that printing is preceded by several, sometimes complex steps towards the construction and montage of (visual) meaning. This conference sees these constructions of meaning as montages, and addresses the materials and processes involved before publication.
Our focus is on concrete artistic and visual artifacts such as scrapbooks, book mock-ups, and press layouts by artists, authors, and graphic designers. In particular, the conference sheds light on the relationship between the spheres of privacy and publicity. This aspect has so far received only sparse attention, whereas questions concerning the historical genealogy of montage and collage as well their theoretical bases have increasingly been addressed in more recent research.
Zürich, Cabaret Voltaire, September 28 - 29, 2012
Program
Friday, September 28, 2012
14.30
Nanni Baltzer and Martino Stierli, Universität Zürich
Welcome and Introduction
Section 1: Dada and Beyond
15.00
Adrian Sudhalter, Independent Scholar, New York
Tristan Tzara’s Dadaglobe (1920-21), Reconstructed
15.45
Vera Chiquet, Universität Basel
John Heartfield’s Photomontage: The Various Steps Between Creation, Preparation, and Reproduction
16.30
Coffee break
17.00
Jason Edward Hill, Institut National d’Histoire de l’Art/École Normale Superieure, Paris
Ad Reinhardt Assembles a News Picture
17.45
Doris Berger, Skirball Museum, Los Angeles
The Making of Every Building on the Sunset Strip
18.30
Discussion
Saturday, September 29, 2012
9.30
Coffee
Section 2: Image Sequences and Clusters
10.00
Introduction
10.15
Mandy Gnägi, Independent Scholar, Zürich
Unfertig als Prinzip: Sammelbilderalben
11.00
Katia Mazzucco, Independent Scholar, Venice
Unpublished Mnemosyne: Documents on Warburg Montage
11.45
Coffee break
12.15
Antonio Somaini, Université Paris 3 Sorbonne Nouvelle
The Use of Montage to Elaborate a Theory and a History of Montage: Writing, Drawing, and Found Images in Sergei M. Eisenstein’s Texts Before Their Publication
13.00
Lunch
Section 3: Architecture and Publicity
14.30
Introduction
14.45
Reto Geiser, Rice University, Houston
"Verbi-Voco-Visual": Textual and Visual Montages in the Work of Sigfried Giedion and Marshall McLuhan
15.30
Craig Buckley, Columbia University, New York
Utopie and the Rhetoric of Disassembly
16.15
Robert Wiesenberger, Columbia University, New York
Mixed Media: Muriel Cooper at MIT
17.00
Discussion
This conference is free of charge and open to the public.
Venue:
Cabaret Voltaire
Spiegelgasse 1 (entrance at Münstergasse 26)
8001 Zürich
Organized by: Nanni Baltzer and Martino Stierli
Institute of Art History, University of Zurich
Quelle: H-ArtHist
